Shop for artwork based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
The Little Hose at the Foothills by Mohamed Hirji
Beyond The Trees by Mohamed Hirji
Golden Larches. jpg by Mohamed Hirji
Terrific Trio by Mohamed Hirji
Yummy Yum Yum by Mohamed Hirji
What is for dinner? by Mohamed Hirji
1932 Ford Model A by Mohamed Hirji
1966 Parisienne by Mohamed Hirji
Jazzy Tall by Mohamed Hirji
Warm And Cosy by Mohamed Hirji
Chevy by Mohamed Hirji
Evening Out by Mohamed Hirji
Blindman River, Blackfalds by Mohamed Hirji
Columbia River, Utah by Mohamed Hirji
Rising Sun by Mohamed Hirji
Spring Melt by Mohamed Hirji
Lion Fish by Mohamed Hirji
Gentle Breeze by Mohamed Hirji
Riverbend by Mohamed Hirji
Storm Clouds by Mohamed Hirji
Telus World Of Science by Mohamed Hirji
Fabulous Fall by Mohamed Hirji
Glorious Pond by Mohamed Hirji
Glowing by Mohamed Hirji
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About Mohamed Hirji
As a diagnostic radiologist, my profession has greatly influenced my art. Driving home after work, having spent the day peering at black and white images, my senses are overwhelmed at the world full of so many shades of colour. Every glance outside my car window yields endless possibility. The stimuli strike me relentlessly, and I start thinking of what sort of painting will I compose next? What palette will I use? What will I include? What media will be suitable? The questions are endless, but inspiring. I can’t wait to get started.
My canvas in front of me. With my brush in my hand, I start thinking about how best to fill the vast, flat, white, empty canvas with a three dimensional form. Again, contrast comes into play, like the black and white images at work. But this time, I am the one producing something out of nothing, for someone else to interpret and put together. My art will take over now, allowing me to use colour to bridge the monochromatic pictures of my work. Carefully, and meticulously, I begin. A brushstroke here, and one there. Steadily, I start putting it together, mixing my colours and decorating the canvas. My mind races as I work, sometimes slowing me down, sometimes propelling me forwards. Nothing about what I do is random, and every decision must be made carefully. Eventually, the painting takes shape and becomes complete, an image unto itself. I strive to convey the viewer into the scene of my painting so they experience the scent of my florals, hear the rustling of the leaves in my landscapes, feel the chill in my snowscapes and hear the crashing of the waves in my seascapes. My process similar to my previous painting, yes, but never the same.